Women in Military Science Fiction (cont) – What About Moms?

At WorldCon in Montreal (2009), there was a panel discussing the question of why we rarely/never see middle aged women as the protagonists/heroines in any science fiction – let alone in the military subgenre. At least I think that was the discussion. I had the session marked as one I wanted to attend because until then I’d never considered the question, but circumstances got in the way of my attendance (if you’ve ever been to a WorldCon, they sometimes schedule the best panels all at once!).

Confession: I have no idea how rare middle aged women are in science fiction. But I do know that off the top of my head, I can’t think of any mom heroines except for Sarah Connor.

In 2011 I wrote a novelette that has a middle aged mother as the heroine, because I figured I’d try to start filling that gap even though I’m a middle aged father who hasn’t a clue what it’s like to be a woman. The novellette has gone largely unnoticed. So it was time to post about it here since there has been much discussion about the lack of women in military SF. Besides, I think it’s gauche to cry out from someone else’s blog and say “wait a minute, I write with women as main characters in my military SF! Buy my story/book at Amazon!” but since this is my blog, I can do whatever the hell I want. In fact, book II of the Subterrene series is an all woman cast – almost – so I look forward to future discussions and reviews, assuming bloggers choose to include the book as a data point in women-relevant topics.

Anyway, here’s the link to “The Legionnaires” – a novelette that examines what would motivate a middle aged mother to join the French Foreign Legion, an institution that as of today, does not allow women to serve.

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Tor and Military SF: Scalzi and Ringo? What about Haldeman?

In her post on Women in  Military SF over at Tor.Com, academic, frequent Tor blogger, and self-described “cranky feminist,” Liz Bourke, has this to say about women and race in Military SF:

Military SF is, fundamentally, a politically conservative genre… the wild-eyed revolutionary firebrand and the generally stable — even, one might say, socially rigid — institution of the military tend to get along about as well as a house on fire… That conservatism is most glaring, though, in my opinion, when it comes to the position of female characters and non-“western” cultures.

As examples she cites a few authors (Shepherd, Drake, etc.), but suggests they come up short in their attempts to portray different cultures - inventing the unique term “Irish Chineseness” in the process.  Scalzi, however, is the only author she cites as bucking this trend.

There are lots of places to start in dissecting her arguments, and lots of places where we agree (e.g., we need more diversity in our military SF). I was going to write an entire “but, but, but, you didn’t even MENTION Joe Haldeman’s The Forever War” post (this is a glaring omission) but then I looked at the comments. As usual I’m late to the game; others have raised this issue on the Tor blog so no analysis will be forthcoming from me (for now). Plus, upon reaching the end of her article it struck me that before I decide if this is worth my time, I’d like to see Ms. Bourke’s response to the multiple Forever War comments.

In the meantime, Livie Tidhar’s tweet sums things up nicely: “ha, ha, that Liz Bourke, trouble maker!”

Instead I’ll leave you with this self-serving reminder: make sure you register for WorldCon so you can nominate for the Hugo and Campbell Awards!!!!!

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It’s Hugo Award and Campbell Award Nomination Time…

Don’t forget: the Hugo and John W. Campbell Awards are open for their nomination period. To nominate a work, you must have been a member of the last WorldCon (Reno), or you have to be a member of the 2012 or 2013 WorldCons as of 31 Jan 2012.

I have two eligible works:

Best Novel: Germline
Best Novelette: The Legionnaires

I’m also eligible for the John W. Campbell Award and a full listing of my work is at: http://www.writertopia.com/profiles/TCMc…

You don’t have to nominate me, but register now for WorldCon so you can nominate someone! Time is running out and each WorldCon attendee or supporter gets to nominate up to 5 people. More award information (and links to registering for WorldCon) can be found at: https://chicon.org/

Also, if you’re a Germline fan, spread the word! Link to this post, tweet it, whatever; sometimes it’s difficult to be a debut author and get the word out, so any help is appreciated.

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Tor.com: Reader’s Choice Awards!

Help me get some buzz going for Germline? Tor is running their Reader’s Choice Awards and the rules are loose, so you don’t just have to nominate one work for best novel, one for short story, etc. – you can nominate multiple in each category. It’s easy, too! Just post your answers on their blog. Also, consider voting for the artist for Germline, Steve Stone!

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Recap: Fiction Published in 2011

Looking back on 2011, it was the busiest year I’ve ever had. I wrote and submitted two books (the sequels to Germline), wrote and submitted I don’t know how many short stories, worked a full time job, and found the time to parent. This is why I’m always tired?

Books:
Germline, by T.C. McCarthy (Orbit Books)

Novelettes:
The Legionnaires, by T.C. McCarthy (Orbit Books)

Short Stories:
Private Exploration, by T.C. McCarthy, Nature, Vol 474, 2011
A.I.P., by T.C. McCarthy, Story Quarterly, Issue 45 – not sure if this counts since it came out digitally in 2011, but the print version has not yet been released.

Looking forward to 2012: I’m about 75K words into writing my first literary novel, which is an entirely different beast when it comes to time commitment and word choice, but it’s something I needed to do for myself. The setting is in the deep south. I’m keeping the exact location a secret for now but it’s a place that had special meaning for me as it was the location where I had some of the best times, and one of the worst, and there’s a whole lot of kudzu – I promise.

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DC Looked Abandoned

This day, 2011: I was outside of DC with a group when it all went down in New York and someone recalled us; then they told us to head home any way we could, because a plane had struck the Pentagon and another was on its way so inbound roads to the Capital had been closed. One of the guys dropped us off at the metro. The only station he could reach was the New Carrollton stop and nobody was getting on the trains, everyone was getting off, which made things even more strange since it was still that time of day when people should have been heading to work or to meetings.

Just before the train went underground, you saw the Pentagon fire – a wide column of black smoke on the horizon on the other side of the Potomac and the few people on the train started talking to each other; this never happens on the metro. Nobody ever says a word to strangers. But we couldn’t stop our mouths from working and it didn’t matter what was said and I couldn’t remember it anyway, and something had flicked on inside everyone’s heads that put speech into overdrive.

One by one people got off until I was the only one left in the car and when I skipped at Metro Center the place was deserted. Completely empty. So was my last stop, Tenleytown, and when I came aboveground the streets were emtpy too and this was Wisconsin Ave, a busy-busy DC street. Nobody had known where I was or how to reach me, and my mom thought I might have been at the Pentagon so there was some relief and surprise when I opened the front door to my apartment; Lynnie and I had only been married for a few months.

After that we got the anthrax scare. My metro commutes were things to be scared of now, and in my bag was a gasmask, neoprene gloves and a hooded plastic overcoat – like I’d even know if it was time to put them on. Then came the DC sniper. It was a weird time, a bad dream that went on for years (a year later I found out that the guy who had convinced me to try surfing had bought it in the WTC), and this isn’t a day that seems good for me to dwell on.

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Reflections on My First Film Festival

Nantucket is a magical place where even the film and video geeks get BMWs (note the side of the car says “Official Vehicle of the Nantucket Film Festival”):

These are the perfect cars for an island untouched by the likes of MacDonald’s and Burger King, and yet where the Bavarian Motorworks has established a firm foothold via proxy. Perhaps MacDonalds can drop Big Macs via parachute? Starbucks can shoot lattes over from Hyannis via cannon? Who knows? All I know is that I had a great time despite the snafus typical of any artisitic convention, festival, or workshop.

The movies were good. Not great, but good, and I should caveat this with the fact that I am not a fan of documentaries, which were all I saw here because I was unable to secure tickets to the main attractions - so take my opinion for what it’s worth.  Also, there are two more days of the Festival and I will not be attending so for all I know I missed out on the best films ever made, and I did not hit the late night story telling. My recommendation based on what I did attend: Don’t miss the “Morning Coffee with…” series; there really is nothing like having a chance to interact with professionals in the film industry in a question and answer session, especially if film is your business. Here is Kevin Clash again, in a still from yesterday’s session (he is on the far right, sans Elmo, and here’s an interesting fact: Kevin was the only black guy I saw in the past 8 days, unless you count the two men being arrested while I waited in a “stand by” line for tickets; Nantucket is not the most diverse location on Earth):

My suggestions for anyone planning to attend future Nantucket Film Festivals are (1) Buy a pass – prefereably a Patron Pass as this eliminates many of the headaches associated with buying tickets ahead of time or risking the “stand by” lines, (2) plan in advance,  and (3) if you’re from out of town, make sure you don’t miss out on all the other stuff Nantucket has – like beaches. That is it; signing out from NFF2011.

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Elmo Steals the Show

The phrase of the day at Nantucket Film Festival was “slightly confused,” a phrase that describes the Festival itself, not me. Look: these things rely heavily on volunteer support, so I had to remind myself not to get overly ticked-off when (a) yesterday the main office told me to go to the box office for rush-only tickets to the “Morning Coffee with…” series (b) today the main box office told me that they had been sold out for a week and to go stand in the stand-by line at the venue and then (c) the venue didn’t take cards, only cash (a fact that wasn’t relayed to me at any time). So I had to leave two high-school students (my niece and nephew-in-laws) there alone while I went and got money.

But it was worth the trouble. The theme of the day was “Morning Coffee with Writers,” with a panel of five film-makers who detailed their process in developing ideas for the screen.  By far the most interesting one was from the maker of “Being Elmo,” a documentary about Kevin Clash, the actor, puppeteer, and puppet maker behind Elmo – you know, the Elmo from Sesame Street? Here’s the video I captured (and I know it sucks, but was the best I could do using only a phone):

Elmo at NFF2011_1

All in all it’s been a good Festival so far, but it’s not for casual movie-goers or for people not at least interested in the industry. There’s only so much you can see/do without one of the passes, and patrons get preference in seating, etc. – as it should be. The Patron Pass costs $1200.00. I passed the name of my agent handling movie rights for Germline to a few people, met some interesting folks and accomplished my mission of at least trying to drum up some interest and do some advertising. And I saw John Shea sneak into the back of this morning’s session; you can’t fool me, Lex Luthor…

Now back to my vacation.

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Mixing Business with Vacation

Nantucket is hard to describe. In some ways it’s like going back in time about 30 years, and the sense I get is that this is so because it’s the way people here like it. I haven’t seen one fastfood restaurant, not one Starbucks, and the only way to get here is by ferry, and that takes two hours out of Hyannis; so it’s the perfect place for someone like me. Plus…it has a film festival.

I’m not shy and neither are my kids. The Nantucket Film Festival attracts all sorts from the industry and two days ago my children and their cousins ran into Tom Cavanagh on Surfside Beach and introduced themselves, after which he spoke with them for about half an hour, during which time one of my twins earned the nickname “Danger.” Tom has no idea how appropriate that is. They really dug getting a chance to meet Ranger Smith from Yogi Bear, and the older cousins knew him from his appearances on Scrubs, so it made everyone’s day – plus he is SUPER nice.

I’m attending the film festival because of Germline. let’s face it: none of these people have heard of me or my book, so I have nothing to lose and much to gain by introducing myself to producers, directors, etc., and how many chances do I get to run into their likes where I live? So this morning I slipped into the “Morning Coffe with…” session at the Rose and Crown in downtown Nantucket. The venue was perfect. Cozy, informal, not too small and not too big, and there was no problem hearing the panel as they described a new documentary, Buck, about the horse-whisperer in Texas. Everyone from the film was there, including the producer, and they allowed plenty of time for questions and answers after giving a 40-minute description of the film making and writing process. In the end, I didn’t meet any of them; it just didn’t have much to do with Germline and/or making it into a movie so I figured others would appreciate me not hogging the time with a self serving question or two. But it was fantastic to be surrounded by so many interested locals and industry types and made one feel as though he/she was part of the film making process.

I higly recommend attending the NFF. Today I’m hitting a few screenings in hopes of meeting more people, and tomorrow I’ll be at the Rose and Crown again, trying to interest anyone who cares in Germline.

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Matt Bates IS Oscar Wendell

I got an email from my editor one day: ”send me anything you have that describes the main character for GERMLINE, the cover artist needs it.”  So I did.  A few months later I got a draft of the cover and nearly passed out because it was real then.  Solid.  Somone was foolish enough to actually make a book out of my manuscript, and the guy who did the cover captured the feeling, the wreckage, and the hopelessness of a futuristic war in Kazakhstan.   This is Germline:

Germline

See the roughed-out edges?  The buildings in the background that look bombed out?  Well I did a search on the artist, Steve Stone, and found his website, and if we look carefully at his gallery we find the original GERMLINE artwork tucked in the middle of some amazing stuff but that’s not really what I noticed.  Look more carefully.  It looks like a full wrap cover – front and back.  Now look at the buildings.  That’s a hell of a place, and it was a hell of a shock to see one’s words translated into an image. 

But the title of this post mentions Matt Bates, so ho the hell is that?  Matt Bates is the model Steve used to represent my main character, Oscar “Scout” wendell – a bombed out mess-of-a-scene in his own way – and this is Matt Bates:

See the resemblance?  Look more closely at a few pictures of Matt from the Nemesis Agency.  Matt sent me an email out of the blue one day to introduce himself and he sounded almost as excited to be a part of this process as I am!  Still.  

I plan to keep my wife as far from him as possible.

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